Fashion Disaster Week: Degrees of Disaster

Okay, so I'm running a bit late on this one, but here it is at last.

There is a difference between costumes that are merely inappropriate - either not suited to the particular person wearing them (although they might look fine on someone else) or to the setting of the story (eg. space suits that include either miniskirts or bikinis) - and the truely disasterous that would look hideous on anyone.

Flower from Kamandi wears a torn red skirt and no top, and appears to have her long hair stapled to her chest. While this is entirely consistant with the circumstances of the story, you have to wonder why Kirby chose to have a female character running around topless in a comic where sight of a stray nipple would be strictly forbidden, requiring such a clumsy device to keep her decent.

A typical way of showing when a good female character has gone bad is to put her in some kind of bondage/fetish costume. A prime example is Sue Richards of the Fantastic Four, whose repressed urges were released when she donned the fetish costume of Malice. It is actually a very good story empowering the Invisible Woman, unlike the semi-sequel where the return of the Malice persona is signalled by Sue taking a pair of scissors to her regular costume and cutting a lot of holes in it, and then biting the head off anyone who comes near her.

Costumes with only one pants leg never work, even when drawn by Alan Davis.




Not many comic characters could pull off a tailcoat and fishnets, but Zatanna only works if that is what she is wearing. As a stage magician it is entirely consistant for her to wear such an outfit and it's only when they try to make her look more superheroey that it all falls apart. In the recent mini-series Grant Morrison puts her in a variety of absurd cheesecake outfits but they work because they look like stage costumes, wheras the two she wore while an active member of the Justice League completely jar with her personality.

Always remember...

Fashion Disaster Week: Supergirl's New Groove

As the Silver Age waned DC went through the first of their periodic shake ups to revitalise their characters. But unlike later attempts, this was not any kind of co-ordinated event, as it required no retconning, and each editorial team within the company took a different approach.

For Supergirl this involved an intermittent depowering similar to what was happening to Superman at the same time, but more importantly it involved her quest for a new costume. Kara had been wearing the same old dress since 1957. It had never gone out of fashion because it had never been in fashion, but changing it was a big deal because at this point in history no established superhero had ever changed the design of their costume (Wonder Woman doesn't count, since she stopped wearing hers altogether). DC promoted this with a big competition among the readership of Adventure Comics, and in Adventure #397 she got a new outfit designed by Diana Prince (Wonder Woman), though I'm not sure I'd be taking practical fashion tips from a woman whose idea of clothes fit for street fighting and action adventure were exclusively coloured white.

Despite the announcement that Supergirl would now be seen in a variety of fan-designed costumes it would be a year before she changed again (Adv #407), when the scientists (scientists?) of Kandor had finished running up a wardrobe full of monstrosities.


For reasons unknown, Kara's first choice of the scientist designed costumes is one of the worst. The red tights were apparently a colouring mistake (who would know?) since they are changed to blue in the next issue. Sadly, the pixie boots remain and one can only assume these were done on purpose.







Of course the new costumes had the advantage of remaining invulnerable even when her powers faded, which came in quite handy when she got dunked in acid in #407, so it makes you wonder what the thinking was behind the backless, sideless, sleeveless, legless number she wore in #409.


In Adventure #410 she first wears the hot pants number that would see her through the 1970's, and although she continues to try out alternatives until #415, this is the only one that recurrs.













It was only changed again in the 1980's for the Olivia Newton John cheerleader look that she died in fashion-wise long before Crisis.

Fashion Disaster Week: Token Male

Wolverine's yellow costume

Fans with way too much time on their hands have speculated at length about Wolverine's original yellow costume. "What was he thinking?" they cry, hypothesizing about primary colour theory and various other overcomplicated notions.

It's really so much simpler.

What Wolverine was actually thinking was this:
"If I wear this stupid yellow costume with the ridiculous ears then people will make fun of me and I will have an excuse to hit them."

Fashion Disaster Week: Bad Hat Day

This is one of those topics that when you get started it's hard to know where to stop, so I'm just going to give two examples now and maybe return to it later.

Everyone hates Zatanna's centipede hat. It's the crowning glory of a terrible costume design that entirely fails to fit her character or powers in any way. And yet in other circumstances it might work. For instance, if worn by the captain of an evil puppet spaceship, with the centipede so far forward that it got in their eye.

Come on down Captain Orion of Star Fleet, and show the magician how it's done!


And then there's the original costume worn by The Wasp when she first appeared. If you ever wondered what trauma caused Janet Van Dyne to become obsessive to the point of wearing a new costume in almost every issue of The Avengers, it can now be told. It was the hat. The one shaped like a wasp's sting. Of course, a wasp's sting isn't on the top of its head.

One day it occured to her that she had been fighting crime for several years wearing something that looked like an insect's rear end on her head. She's never quite recovered.

Puella ex machina

When a remarkably inept marketing venture between Apple Mackintosh and Mattel goes horribly wrong, the prototype "Cyborg Fun Barbie" is disowned by both companies and is left to fend for herself; with a truly random access memory and an obsession with the colour pink, she is the living doll known as iCandy.


When I first started playing the online superhero game City of Heroes, I decided it would be fun to create a female robot character. I thought I was very clever to call this character iCandy, and it was only several months later that I discovered that there had been a comic that used the same name. Luckily it wasn't very successful and nobody seems to have heard of it. But it piqued my interest and when I found copies of the series in the bargain bin of a comic shop I bought them. Something like a year later I've finally got around to reading beyond the first issue.

icandy is a comic that wants to be an anime when it grows up. Or possibly a video game. At the very least, a manga. In Japan the lines blur rather more than they do in the west. A story might start out as a manga, anime, or video game and then get adapted into one or more of the others so faithfully that you forget which came first. And they often integrate to the point where you can't get the full story unless you have experienced different media versions. Many anime assume a familiarity with the manga they are based on, and don't even bother introducing characters and situations, assuming that the viewer will already be familiar with them, or like the Sakura Wars OAV series which is in many ways the backstory to the video game, and there are gaps in the anime where the action of the game takes place.

The comic takes the visual style from japanese video games for the design of its heroine, Candy, and the storyline steals liberally from manga/anime from the moment where Candy first makes her dramatic entrance in a way that magical schoolgirls have been doing ever since Video Girl Ai first fell out of a TV set in 1989. You can liven up your reading experience by making a game of playing Spot The Cliche as you go.

Above: Video Girl Ai

Right: The icandy variation

The story, such as it is: sullen adolescent Matt Delaney (he's such a teenager that he doesn't even speak until page 17, ignoring direct requests from teachers, other students, and even his mother. You begin to wonder if he's deaf and nobody has noticed) receives an experimental prototype games console from his father (parents are divorced and he lives with his mother) who does something unspecific in the whole console design field (so unspecific that he has no clue what he's really working on) and doesn't appear to be aware of the extreme level of security that surrounds the industry he works in. Matt plugs the console in, which seems to have a pre-loaded game, and selects a character who just happens to resemble his missing sister.

I assumed when I read this that Dad did this on purpose, creating the character as some kind of homage to his lost daughter, but it turns out later that he knows nothing about it. Apparently he hasn't actually played the only game on the console he's designing. So of course Matt selects this character and wouldn't you know it? At the exact moment he hits the Play button, the system is struck by lightning and Candy rises from the shattered remains of the TV (the console itself is completely undamaged, which is a bit odd considering that surely it's the power surge to the console that causes her to materialise). Then she jumps through the window (which is closed at the time) and runs away. Matt chases her and she jumps about a lot and acts like a video game character, even to the extent of being able to pull up menu windows out of thin air.

The next 3 issues involve Matt and Candy traveling across country and getting in fights along the way. Matt is going to find his dad, and Candy is under the impression that dad's boss = level boss and she must defeat him to reach the next level. They are being chased by generic evil blobby things, generic corporate thugs, and a generic bounty hunter type. Meanwhile Dad receives a note from "a friend" (who is never identified) that tips him off to the blindingly obvious situation that the skyscraper he works in is virtually deserted. He's such a geek. Matt and Candy finally arrive and we get this big infodump explaining the plot, which involves aliens from another dimension accessing our world through video games so the company has been building a game in which they can fight back. The real Candy disappeared while playtesting this game and game warrior Candy is of course specially important because she is the only game character that's been able to survive in the real world for more than a few minutes so they want to find out how she does it.

Then the backup "hardlight" characters (who haven't even been programmed yet) get possessed by the aliens for no reason that makes any sense and Candy has to fight them.

One thing that surprised me was that icandy was not, as I had assumed, a mini-series. According to this interview, artist Kalman Andraofszky was contracted to 12 issues. How much warning the creators got of the comic's demise is debatable. Issue #6 does complete a story arc, but with the cliffhanger of Candy apparently killed when she self-destructs the battle armour she is wearing to defeat the other game characters. The epilogue sequence where she pops up again to let us know she survived seems rushed and pointless and doesn't explain anything. It just seems to be tacked on to give it an upeat ending, where leaving her fate uncertain would have been far more effective.

The other thing that surprised me is that icandy is only the name of the comic. The character is only ever referred to as Candy. Which means I wasn't unintentionally copying a character name already in use.

Cool.

Fashion Disaster Week: Jack Kirby's off day

Jack Kirby was the master of fantastic costume design. While many of his more extreme designs could never work in real life, it doesn't matter; they were the epitome of "sense of wonder" and gave characters a grandness and a strangeness befitting the stories he told. And his level of craftsmanship and sheer enjoyment of the form that meant that even character like Knorda, the normal sized queen of the hill giants is depicted in an individual detailed costume when she only ever appeared(1) in 4 panels, two of which were a head shot and a back view.

So I have to assume that Jack was just having an off day when he created Beautiful Dreamer.

Beautiful Dreamer is the only female member of The Forever People, and one of only two heroines(2) in the entire New Gods saga(3), so what could have possibly possessed him to dress her in an old sack? Had he just run a bit dry after creating so many new characters for the epic? And if so why was she stuck with the rag for so long? You might say it was part of the whole hippy vibe that the Forever People have going, except that all of the other members of the group are dressed with typical Kirby flair.

Beautiful Dreamer continues to wear the sack, which appears to be slowly disintegrating as the series progresses, until issue #9, when kindly old Trixie Macgruder gives her a new dress. We then get Beautiful Dreamer's only comment on her choice in clothes "The body is merely a three-dimensional identification vehicle! It's our "total" selves that beautify us!"


No, I don't understand why that means she should wear a sack, either. But when she finds the dress Trixie gives her to be too old fashioned for her "total self", Serifan zaps it with a cosmic cartridge into a much more fashionable little number with a lot of fringes, and matching boots. Sadly, this "atomically re-shifted" form seems to be a little unstable, because by issue #11 it has gone from strawberry red and white to the orange of her old sack. Or perhaps the colourist wasn't paying attention and forgot she had a new outfit.



Notes

1. Yes, I know she turned up again as an important character in the Domination Factor miniseries, but that was 35 years later. And they still never explained how the giants came to have a queen who was normal human size.

2. The other being Big Barda, obviously. Shame on you if you didn't know that one. And no, for the purposes of this entry I'm not counting the Female Furies who were briefly on the good guys' side.

3. New Gods, Forever People, Mister Miracle, and Jimmy Olsen.

Fashion Disaster Week

Since I've found more to talk about than I expected I'm making this week Fashion Disaster week!

Oh, what fun we'll have!

Fashion Disasters: Poll

I'm currently putting together a few articles on super-heroine fashion disasters and it struck me that it might be fun to see what other people thought. So please respond with your choice of the worst dressed woman in comics - If she has had multiple costumes give an issue number or something to specify which one you mean.

Stupid Super Powers 1: Animal Magnetism

Animal Magnetism: The ability to cause animals to become temporarily magnetic.


Can't you just see silver age Batman gaining this power just in time to deal with a breakout at the zoo, which he foils by attaching all the magnetized animals to a giant fridge door that happens to be nearby?

The most famous villainesses you've never heard of

Who's This Girl?

This is a new bust of Supergirl produced by DC Direct, purveyors of expensive tat to the rich and dateless. It's part of their "Women of the DC Universe" collection, apparently, and based on designs by Adam Hughes.

What I want to know is which Supergirl is it supposed to be? The length of the sleeve looks a lot like the design on the current costume, but this is not an adolescent girl. And then again the hair is shorter than any version of the Girl of Steel has ever worn it to date, except for the Earth 2 Kara, and this is clearly not Power Girl in a new outfit. However, it's not due for release until September, so perhaps current events in the DCU are going to age Supergirl more than a single year. Is it too much to hope that she might also grow a personality?


Edit: Just noticed that this is my 100th entry in this blog. Go me.

All Hail Dark Phoenix!

"I am become death, the destroyer of worlds."

There's been some chat recently about the lack of strong female villains in comics - characters that have the iconic status of Doctor Doom or The Joker. So what is Dark Phoenix? Chopped liver?

The Wikipedia list of supervillainesses (I'm not sure that's even a word. Surely "villain" is not gender specific) does not even mention her, and yet she has been one of the most influential and popular, not to mention one of the most physically powerful female villains in the history of comics. For many years after her first appearance, when a hero character went bad (particularly if female) they would be referred to as "Dark-" and everyone got the reference.

Okay, I know some might question whether Dark Phoenix counts as a villain because she is only a hero gone bad temporarily, but Catwoman is on the Villainess list and she's been swapping sides since the mid-1950's. And consider Dark Phoenix's thematic ancestor, Dr Jekyll and Mr. Hyde: can you see anyone ever arguing that Hyde doesn't count as a villain because he is only the dark aspect of Jekyll?

The storyline that first introduced Dark Phoenix is possibly the best thing Chris Claremont ever wrote. His work with John Byrne during this period produced some classic X-Men stories that were so effective and powerful that they are still getting recycled even now, and the slow build of the Dark Phoenix/Hellfire Club storyline was a masterwork of pacing. It's an excellent story on its own, but it reaches a whole other level when, in a classic case of snatching defeat from the jaws of victory Jean Grey triumphs over Mastermind's mind control by opening Pandora's box and letting out her dark side, which is kinda like beating someone at chess by blowing up the building where the game is being played.

In fact, in her original outing, Dark Phoenix only lasts two issues. Then she is shut down, and before she can escape again Jean Grey allows herself to be killed rather than become the monster again. But in that short time she eats a star - she may be solar powered but she is anything but environmentally friendly - and tears through a Shi'arr battlecruiser like a tank through butter. Sadly, we don't get to see her do much else as Claremont and Byrne realise that there is no credible way for the X-Men to defeat her unless they get tricksy, and so they backpedal a little and even though in Uncanny X-Men #135 Phoenix says she is leaving Earth forever, and her grasp of her powers is good enough that she is opening warp gates and consuming stars, she then feels the need for a little angst moment and pops home to mommy so they can have a rematch with her.

It's only because the pace is rattling along like the best action movies that your suspension of disbelief doesn't crumble at this point. Dark Phoenix is described as having Galactus level power, and that's before she consumed the star, and yet when she zaps Professor Xavier it just appears to squish his wheelchair and tear his clothes a bit. Okay, Prof X may be the most powerful telepath on the planet but Dark Phoenix snuffs out suns. When she says she is killing you I'd expect more than cuts and grazes on anything below god-level. They then go head to head in a telepathic battle and the Prof wins, of course. The rationale being that deep down, part of her was on his side.

But they couldn't leave it there. Like all great villains, Dark Phoenix was too good a character to throw away, even if she was dead. But the first sequel Claremont gave us was something different. Introducing Madeline Pryor as visually identical to Jean Grey, he plays with our expectations of what the connection might be between the two. The great thing about this story, which was utterly destroyed in later retconning, is that there is no connection. Madeline is just an ordinary person who looks like Jean. But in superhero comics where almost everyone the protagonist meets in the most mundane setting turns out to be a villain/demon/alien it was a masterly subversion of the reader and the characters' expectations to have the returning villain Mastermind play on these assumptions to make the X-Men think that this was Dark Phoenix resurrected, getting revenge on the X-Men by setting them up to murder the innocent, ordinary Maddy.



After this it goes downhill like a sledge on Jupiter and retcon is piled on top of retcon to the point where I kind of lose track. Jean Grey was never Phoenix in the first place and Maddy was some kind of demon clone or some such, and Rachel, Jean's daughter from an alternate future, inherits the phoenix power that Jean never had anyway and I lose the will to live.

Last I looked Jean was currently dead but nobody expected it to last, Dark Phoenix had a miniseries where she got to destroy the universe (or something) and she's about to get her big screen debut.

Who's that Girl? Part 8: Hitting Bottom

It's taken a long time to get this episode written because the comics it covers are so, so bad that it was hard to work up the enthusiasm to read them. But here we are at last.

Wonder Woman v1 287 - 299
Dc Presents 41

I probably should have included one more issue in the previous entry as we get a second "guest writer" issue before the comic gets yet another makeover.

Marv Wolfman pops up with a story that guest stars the Teen Titans. It's been a while since I read any of Marv's work but I remembered him as a decent writer. Sadly it's not too evident in this story which opens with Wonder Girl being shot at by generic minions in hooded robes. She does the usual bullets and bracelets routine - which is a good trick with lasers (1) but eventually a hit in the arm from one of these "laser guns" causes her to fall unconscious rather than burning a hole through her.

So the minions kidnap Wonder Girl and the Titans call Wonder Woman in to help rather than go deal with it on their own. (2) And this is the whole point because it was all a convoluted plot by Doctor Cyber (3) to grab Wonder Woman and steal her face. Eerily, there is one panel that has unintended resonance decades after it was drawn, when Wonder Woman's invisible robot plane goes out of control.



And then it's makeover time but not in Wonder Woman #288; first we have to slip over to DC Presents #41 for what is called a "preview" but is in fact a self-contained Wonder Woman 14 page mini-comic (4). Along with new writer Roy Thomas and art by Gene Colan even the cover logo gets a renovation in a story that replaces the stylised eagle motif on Wonder Woman's chest for the =w= symbol we are more familiar with today.

The new chest symbol was a result of DC president Jennette Kahn's plan to to celebrate Wonder Woman's 40th anniversary by establishing a Wonder Woman Foundation to honour outstanding women over 40 (5). I cannot find any information about this foundation beyond 1986 so I can only assume that it no longer exists (6), but I did find some references to women who had received the award in the mid-80's (7).

In the story the women of the Wonder Woman Foundation present Wonder Woman with her new bustier and after thinking it over while beating up on Hercules and outracing Hermes she agrees to wear it. It's a nice way of tying the comic in with the real life foundation, but in context it appears that the amazon is agreeing to wear the Foundation's logo rather than them adopting hers and it comes off looking like she is now taking advertising on her costume like some sports player with a Nike logo on their shirt (8).



Reports suggest that Roy Thomas was keen to work on Wonder Woman, and he does seem to have done some homework, giving us a historical and mythological context to traditional WW villain Mars' sponsoring of new enemy Silver Swan and the introduction of an Earth 1 version of Doctor Psycho, and yet his research isn't quite up to date as he has Steve Trevor and Diana Prince working for military intelligence (9) instead of the Air Force, and places Paradise Island in the Bermuda Triangle (10). Would be nice if they could decide once and for all whether to call WW's mom Hippolyte or Hippolyta and just stick to it, too.

Diana Prince briefly gains a new roommate and wouldn't you know it, it's the Silver Swan in her secret identity of Helen Alexandros. She's supposed to be hideously ugly but I don't see it, myself. I know that it's easy to get hung up on any little imperfection, but the way the heavy handed narration goes on you'd think she looked like a troll, rather than a cute girl with a couple of zits.



The story itself is confused and muddy. Silver Swan is under orders to kill Wonder Woman but sometimes she helps her out, even though she hates her. Why does she hate Wonder Woman? I don't know. Doctor Psycho turns into Wonder Man whenever Steve Trevor falls asleep, and he is stronger than WW because Steve thinks he is, apparently. At the end of the story Mars takes Swan girl's powers away because she hasn't yet killed Wonder Woman; you'd think a god would have a little more patience, particularly when this particular chore is one he's failed at so often, himself.

Then we get into a big story which, if it happened today would probably be a company wide event, but (thank Athena) here is just a 3 parter with a lot of guest stars. It involves one of those omniscient godlike beings that seem to spend so much time poking around in other people's business, and who appears to be a cross between the Celestials and the Beyonder. He gives planets marks out of 10 and if they don't get a high enough grade he destroys them, or in this case arranges fights for a lot of super-heroines. In the end some even more godlike beings take him home for a spanking. It's pure cack.

Just when you feel like you have hit the bottom of the barrel, something like the next story comes along and you realise that the barrel was a whole lot deeper than you could possibly imagine. This one involves people getting brainwashed by a video game. Okay, so that was a relatively original concept in 1982, but where it hits the wall of dumb is when you find out that the evil video game was created by the villain, General Electric (11) while he is in prison, in the prison workshop. After he learns electrical engineering. But not programming. Even if this were possible we are then given no information about how this game has gone from being a prison prototype to a mass market success.

In fact the stupid game is so incredibly successful that he could just rake in the profits and enjoy the fruits of his labour, but no, it's all a means to an end. What that end may be is never explained, although it seems to involve gathering a private army. But he never actually does anything with it, so who knows? For something that started at barrel-bottom, it's hard to believe that it could get worse, but it does, ending with a dire Tron steal that exposes the writer's utter ignorance of everything he is writing about. Didn't anybody ever research their subject matter during this period? Or did they just not care?

Apparently Dan Mishkin did, and in the lead up to the big 300 he brings us a story built on the myth of Beleraphon, who has been hiding out on Themiscyra (12) until some greek terrorists turn up and he enlists them to attack Paradise Island to get the purple healing ray and restore his sight (13).

Wow. The novelty of having a villain with motivation that makes sense and a clear cut plan of action is staggering after the last few dozen issues. There's also an interesting subplot involving a skeleton dressed in a Wonder Woman outfit. Sadly, this is completely blown by the use of the new =W= insignia, since it relates back to events long before the new insignia was created, but the error is corrected by the time it becomes the main plot in issue #301.

But I'm going to save that for next time.

Next: The only way to go is up (at least that's the theory).

Notes
1. amazon training is so good that their reflexes are faster than light now?
2. Did the Titans ever call on a related adult when one of their number was in trouble? Ever?
3. remember Doctor Cyber?
4. though at a time when the amazon princess was only getting 17 pages of story a month, it's practically a full comic
5. it was also a better brandname logo and easier to trademark
6. although a Wonder Woman Foundation does still exist in post-Crisis DC continuity
7. Such as Rosa Parks (pictured above).
8. Nike being the greek goddess of victory long before she got into sports footwear
9. which they haven't done since 1967
10. entirely an invention of the TV show
11. ludicrous but true
12. which it turns out isn't another name for Paradise Island after all, but the previous home of the Amazons thousands of years ago
13. He was blinded by Zeus when he attempted to fly to Olympus on Pegasus. This version says Zeus hurled him back to Earth, causing his injuries, but according to Brewer's Phrase and Fable Zeus sent a mayfly to sting the flying horse and throw him off. But I guess that lacks the same drama.

In my dreams...

...newspaper comic strips taste of marzipan.

Hal's Head

Anyone who reads The Absorbascon on a regular basis will be aware of Scipio's documentation of Hall Jordan's clumsiness, particularly his penchant for getting hit on the head (although so far he's missed my favourite Hal's Head moment when he is knocked unconscious by a toy airplane), but I would like to suggest that without this clumsiness Hal would never have become Green Lantern in the first place.

Clumsiness is not an inherent problem with weilding the green ring, so we have to assume that Hal's head has been bouncing off any nearby surfaces long before he became Green Lantern, and it seems to me that this is the real key to his character. Abin Sur, who we know wasn't exactly the full packet by the time of his death, commands his ring to locate a man without fear (wait, wouldn't that be Matt Murdock?).

Now fear is a very important survival trait. Fear tells us not to get too close to the edge of the cliff. Fear tells us not to pet the big hairy thing with teeth and claws. Fear prevents us from doing stupid things. Too much fear is extremely counter-productive, but too little will get you dead a lot faster. Fear is an integral part of human construction.

Accident-prone Hal Jordan is so brain damaged from all the cracks to the skull that he has entirely lost this fear response, but due to an early indoctrination in the armed forces before the damage became so severe, he remains disciplined enough (or maybe he's just too dumb) to not do anything really stupid. Since the only other available options to the ring are the kind of people who ride motorcycles blindfold into oncoming traffic for a laugh, Hal wins by default.

He didn't get the ring because he was without fear. He got it because he was the only person without fear who stood a chance of living long enough do do anything useful with it.

All hail Servalan!

The Wikipedia list of Well known Supervillains contains exactly forty nine names. Only one of them is female. Whether this is an error and it was only supposed to be a list of male villains (since there is also a list of supervillainesses) anyway, or because only one female villain has really made an impact on popular culture equivilent to Fu Manchu or The Joker is not clear because that one female name is Servalan.

Servalan is quite simply the archetypal female super villain. She is the embodiment of the empowered woman. She is clever, capricious, sexy, ruthless, and as cuddly as a pit full of vipers armed with laser sights. She dresses to kill. That is to say she dresses extravigantly and people usually die in her immediate vicinity. And she really enjoys her work.


As the arch-villain of the british TV show Blake's Seven she is considerably more successful than the heroes. Despite Blake and Co. having the useful advantages of owning the most powerful and fastest spaceship in the galaxy, the only teleport system in existance (against which there is no defence), and an omniscient computer that can hack any other computer, they stumble around having the occasional inconsequential success in their revolutionary cause, while Servalan works her way up (over any number of dead bodies) to become President of the Federation. After the power of the Federation is broken (due to alien invasion, nothing to do with Blake's bunch) and Servalan is deposed, it is no time at all before she is building her second empire under the name of Commander Slear.


And in the end she wins.

Which is more than most villains can boast.

irrelevent trivia

Microwaved porridge is one of the few meals that takes longer to eat than it does to prepare.

Sound effect of the week