Flashing Light

So Doctor Light made her appearance on The Flash and I have somewhat mixed feelings. I mean yay, Doctor Light appeared on TV, but boo for just about everything else.

Now obviously they had to find some way of simplifying the character's tangled history, but they did so by simply conflating the two Doctor Lights as one character (which is all kinds of squick if you think about it at all) by making her a female villain. They also changed her civilian identity from Japanese Kimiyo Hoshi to Linda Park (played by Chinese American Malese Jow), Barry Allen's blink-and-you'll-miss-it girlfriend from last year, and Iris West's collegue at Central City Picture News. She's given no backstory, and she's basically just a villain of the week in an episode where fighting the bad guy was distinctly the B-plot.

Also undeveloped to the point of whatever-was-required-by-the-plot-and-no-more was Doctor Light's powerset. "Something something powered by star-light" translated into throwing big light flashes and occasionally doing some kind of blowtorch effect.

Even Flash's final confrontation with her seemed very forced. They made a big deal about him working out how to distract her with visual echoes, but A) she'd already shown she could beat that with a big area effect zap that she'd used twice before but somehow forgot about here, and B) the only reason he did this was so that he could get behind her and bop her on the head, which he could have done at any time by running really fast, which is kind of his core skill.

This isn't the first time the show has taken the name of a character from the DC universe and applied it to a disposable, virtually generic villain, and it's always a little disappointing, particularly on a show that does so well when it does make an effort. I don't think I'll mind if this rather poor copy of Doctor Light doesn't recur.

Girl Superheroes for Girls

DC Superhero Girls (or possibly Super Hero Girls) is a new web animation series, book series, and any other type of merchandising they can possibly squeeze out of it. The setting is a school for superheroes, which doesn't seem that fussy about the "hero" part, since they seem to have let in several villains too. Basically it's attempting to do Monster High, only for superhero comic characters, and judging by the costume designs, skewing a little younger.

I've seen some criticism that, since the school is co-ed, they should have made it more inclusive by calling it Superhero Kids or something else less gender-specific. But you know what? No. They shouldn't. On the one hand it's a superhero show for girls, which is a big thing in itself in an age where Black Widow is ignored in Avengers merchandising and female-led superhero movies are decidedly at the back of the queue.

But beyond that, if the series had a non-gender-specific title everyone would have assumed it was for boys, and that the majority of the characters would be male. Because that's what non-gender-specific means in our society. Men and boys have been pandered to for so long at the expense of women and girls that if you have a group that has an equal number of male and female characters it is considered female-biased, simply because the vast majority of "non-gender-specific" shows feature a primary cast that is four guys and one girl, or three guys and two girls. Even where the female character is nominally the protagonist, the supporting cast is predominantly male. So yes, the only way of having a show that isn't male dominated is by making it a specifically female show. And I am fine with that.

And, oh look. Who's that in the background...?

Light show

I'd been under the impression that Doctor light had been dropped from current DC continuity, along with a number of characters who have more than two fans, but while that's likely true (and given current editorial attitudes I tend to think she's well out of it) it doesn't stop her turning up in Derek Fridolfs and Dustin Nguyen's excellent Lil' Gotham, which against explicit editorial mandate even managed to sneak a blonde Batgirl into one issue.

Thanks guys. It's nice to know Kimiyo still gets a little love.

Spotlight hero

Every comic blog has to champion an obscure character[1], and if you don't count Cir-El, Fantomah, Moon Girl, Sun Girl, or any of the others I've written about because it's not like writing about obscure comics heroines is a recurring theme or anything, or alternatively just stick with the one in current continuity, the winner is Doctor Light.

So I'm thinking of doing that hugely fannish thing of reading and blogging every single appearance of Doctor Light in order. But before I do, I thought I should comment on her recent run in the Justice League of America, since it's about as close to current as I ever do.[2]

It starts strongly with Justice League of America #27-30, a tale by Dwayne McDuffie that goes a long way toward telling the story we've been waiting around for since Kimiyo was depowered in 2006. McDuffie can't give us Kimiyo's triumph over EDL[3] as he has in the meantime been turned into a candle by the Spectre, but he does craft a story that fills in a lot of the gaps, and sees her repowered with the help of Milestone heroes Icon, Hardware, and the Shadow Syndicate, and given a snazzy new revamp of her costume.

McDuffie also manages to hint at the kind of power that Kimiyo has not been shown to use in a very long time. Even before she is repowered, and without the new costume that is supposed to focus or enhance her powers in some vague technobabble way, she is shown moving at light speed. Even the Flash only does that on special occasions and needs a good run up; Kimiyo can do that from a standing start. We later find that although she can absorb nearby light sources for power, she is also still connected to the star Vega, which gives her an incredible source of raw power, and possibly qualifies her as a fusionkaster[4]. Basically McDuffie establishes her as the heavy hitter she was always intended to be.

Sadly, this run on Justice League was one of the last things Dwayne McDuffie wrote before he died, but it is a fine example of his strength as a writer and his commitment to diversity, crafting a team that is perhaps one of the most racially and sexually diverse incarnations of the Justice League. He is followed for one story by Len Wein, who writes a decent Kimiyo; she is abrasive toward the frivolous Plastic Man, who she is teamed with, but eventually comes to appreciate his good qualities.

And then the rot sets in, as James Robinson arrives to helm one of the least liked runs of Justice League in recent history.

Remember how I said McDuffie couldn't give Kimiyo a cathartic triumph over her rapist because the Spectre got to the scumbag first? Well Blackest Night means that Robinson can dig him up[5] and tell that now superflous story. But wait, it gets worse. I can only read what happens as somehow a desire to in some way retell the whole rape story, perhaps for those who came in late or something? I don't know. either way, he has EDL being all rapey, and, after licking a dead little girl, attacking Kimiyo, who for the purposes of this story is inneffectual against Black Lantern Evil Rapey Doctor Light, even though the black Lanterns' big weakness is her primary powerset, and tearing her clothes off.

Anyway, after several pages of BLERDL being all expositional, he threatens Kimiyo's children, and she remembers that she can channel a star and fries his ass. It is not only an ugly and obvious telling of a story that now didn't need to be told, but in its effort to hit every wrong note when telling a rape story, also manages to be visually voyeuristic.

Robinson almost immediately replaces the entire team with a combination of white [6] heroes from the Teen Titans and generic Justice League, and while Kimiyo hangs on until #43 she's mostly just standing at the back and filling out crowd scenes. When she does speak she has no recognisable character traits. She's put on a bus off panel, leaving to look after a sick child. Given the way Robinson writes her when he does make her the focus, it's difficult to be too disappointed to have her leave the team.

She's seen twice more, filling out crowd scenes to show how important the story is by having lots of heroes show up, first in #51 and then again in #56, where the artist[7] gives her a costume that is different from either of the two she has worn previously in this series, which seems a bit lazy. She might only be a cameo here, but she was a member of the main team only a few issues previously.

So as the current era of DC fades into the west, I'm glad to see Doctor Light get some good resolution to her story arc and membership of DC's top team for a while.  The good characterisation given to Kimiyo by Dwayne McDuffie is a satisfying conclusion, and anything beyond that is irrelevant.

And so, having told the end of the story, while we wait for Kimiyo to show up in the DCnU, I shall next go back to the beginning, way back to Crisis on Infinite Earths #4.

Notes
1) It's in the rules.
2) She guest starred in several issues of Supergirl recently, too, but I haven't read them yet.
3) Evil Doctor Light
4) See Nexus by Mike Baron and Steve Rude
5) Even though there was no body. How do you get better from being a candle?
6)Okay, technically one's green and one's blue, but they are still white.
7) Following his example, I couldn't be bothered to look up his name.

Light in the blandness

Kimiyo Hoshi has an annoying personality. She is an astronomer, astrophysicist, medical doctor (1), and very accomplished in scientific fields that few people would even understand the title of, and knows that her time is valuable in costume or out, and so is easily irritated when she feels that it's being wasted.

She has also managed to keep her sense of personal value intact despite being the superhero equivalent of a rape survivor (2).

But it isn't that I admire her inner strength and forgive her irritating personality as an unfortunate byproduct. I like that she's annoying. Unlike many characters that are supposed to be endearingly roguish but just come off as creepy and bigoted, Kimiyo is supposed to be annoying. And where any other character who started off with negative traits would over time have all their rough edges smoothed away, Kimiyo has managed to remain annoying for twenty five years (3).

Admittedly, there was one period during the JLI years (4) when they tried to explain it away as an allergic reaction or something (5) but thankfully it didn't stick.

So just remember, DC. When Kimiyo Hoshi Doctor Light eventually returns in the relaunch (6), Don't even try to sugar-coat her. She's not supposed to be the nice one.

Notes

1) Or whatever the current writer thinks it is she has a doctorate in.

2) and it wasn't even thinly disguised; it was flat out stated by her abuser that what he was doing to her was rape

3) Happy quarter century Doctor L.

4) yes, Kimiyo was a charter member, and even leader at one point, of the JLI, though she never seems to get invited to the reunions.

5) does that count as a retcon?

6) and she will.

Reasons to be Kimiyo

When Kimiyo Hoshi was first introduced way back in Crisis on Infinite Earths, she was a doctor, a scientist, and a single mother with two children, and she lived in Japan. After a long stint with the JLA she eventually retired from the hero biz to spend more time with her children. In Infinite Crisis she joined the fight, protecting her homeland (still Japan) from attack.

In Green Arrow in a story supposedly taking place after IC but published some six months before, Kimiyo is a management executive in America. Her powers are taken away and she is left dying. Now in Birds of Prey we find her alive and well, apparently with powers, and working as a scientist in Japan.

So what exactly happened here? Here are my theories:

1) Superboy Prime's reality punching activities created an alternate universe in which Kimiyo's entire backstory and geographical location were different. This alternate universe collapsed before anybody noticed it other then Green Arrow, who didn't care enough to check whether Kimiyo was still alive at the end of the story.

2) It was a clone.

3) Dream? Hoax? Imaginary story? I'm running out of ways to explain away Judd Winick's lazy writing and his editor's negligence.

In fact my best guess is that the blanks will be filled in during 52. Either that or everyone is going to pretend the Green Arrow story never happened.

Incandescent: Losing the Light

Incandescent not only describes my subject, but my mood. It's time to set the rant levels to 11.

I'd start with a few words about writer Judd Winick, but Ragnell's got that covered.

Now I'm not sure how much time is supposed to elapse between Identity Crisis and Infinite Crisis, but continuity is stretched past breaking point here, so it may get a little confusing. In Green Arrow #54 Winick writes a story that follows up on events in Identity Crisis, but in order to fit in with Infinite Crisis and 52 it officially occurs during 52 week 2, even though it was published 10 months earlier. Confused yet?

GA #54, the short version: Green Arrow and Black Lightning are looking for evil Doctor Light. Evil Dr. L. is conveniently only a few blocks away attacking Kimiyo Hoshi, the good Doctor Light. Evil Dr. L steals Kimiyo's powers and flies off cackling. Green Arrow finds Kimiyo in the hospital and is attacked by Mirror Master and Killer Frost, and runs off to fight them. Kimiyo is left bleeding on the floor and never seen again.

So what's wrong with this picture?

Well the continuity problems start with Kimiyo being seen in costume in Tokyo during Infinite Crisis, and then in America in 52 #1, and in flashbacks to around the same time in current issues of Action Comics. She's actually appeared more in costume using her powers in the last few months than she has in years, except that she was depowered and badly wounded months ago.

And to make it worse, in GA #54 it states quite specifically that she has not used her powers in two years. But then it also has Kimiyo Hoshi, astronomer, scientist, and medical docter who lives in Japan working as a business executive in Star City, America. Something is wrong somewhere and I think it's probably that Judd Winick is a lazy writer who didn't bother to research the character he was planning to destroy.

Winick writes the fight between Light and Kimiyo as entirely one sided, and Evil Dr. L. only wins because Winick ignores Kimiyo's established abilities, and worst of all belittles her character by telling us that she lacks the instinct to understand the situation. Frankly, I don't fully understand the situation.

Winick implies that they have the same powers, but that's nonsense. Although both are light based, their powers are not related in any way. Evil Dr. L got his from technology built into his costume, which he didn't even create; Kimiyo was zapped by The Monitor who channeled the power of a star into her. And even if they were identical, that doesn't mean that one can just take the other's power. It's like saying an athelete could steal another athelete's ability to jump by hitting them. Sure, super villains are always stealing heroes' powers, but there's usually some explanation for how they are doing it. Here there is none.

And then there's the problem that Kimiyo is magnitudes of times more powerful than Evil Dr. L. In Crisis on Infinite Earths she tapped a star to blow a hole in the Anti-Monitor. Although nobody bothered to write her at this level of power in later years, for raw power output she is in the Superman class. And unlike Evil Dr. L. she has been shown to tap other sources to boost her levels. There is evidence to support her taking his power, but not vice versa.

Once Evil Dr. L has "stolen" her powers, we only get one more scene with Kimiyo. Green Arrow bursts into the hospital room where she is lying bandaged, with an oxygen mask over her face. She gets to deliver a message to GA from Evil Dr. L. that it is a trap, so that the villains can make a dramatic entrance. GA goes chasing after them and Kimiyo is left lying there, never to be seen again (not counting the many "flashbacks" that have appeared since). She gets no resolution to her story, no cathartic revenge on her abuser, not even an indication whether she survived the experience.

She didn't even get one of those little tag scenes you'd get at the end of the A-Team, where Hannibal would say "Well, Mary-Anne, your father and brothers may have been murdered and your family business burned down, but we brought their killers to justice so it's all better." And then they'd all have a big laugh and Face would hit on her.

But that's not the end of it.

Green Arrow eventually confronts evil Dr. L in GA #57, and Winick gives Light several pages to expound on the joys of being a rapist. He likens his attack on Kimiyo to rape "only more benefitting than usual." And having painted this character as the most vile abuser, Winick allows him to escape. Evil Dr. Light leaves the story without any kind of censure. Kimiyo gets no justice; her abuser who considers himself her rapist gets to walk free.


And I'd just like to mention that the only other female in the story, Mia, also gets badly wounded by evil Dr. Light and left for dead. Green Arrow is apparently badly injured right at the end of the story (not by EDL), but since he has bounced back by the following issue, it's not really the same. I don't know if Mia has been seen since she got shot and blown up by EDL but there was no mention of her in the two subsequent issues of GA I read.

To say that Kimiyo was badly written in this story is understatement. Her background details are arbitarily changed to fit the story Winick wants to tell, and the only reason she's in it at all seems to be to power up the villain and make him look even nastier than he was already (because being revealed as a rapist in Identity Crisis clearly wasn't enough). Once her purpose is served she is dropped from the story like a used tissue, and the fact that her story gets no resolution just shows how little Winick cares.

Is this the end of the road for Kimiyo Hoshi? With all of her subsequent "flashback" appearances one can hope not. It would be a sad and pathetic way to go out, symbolically raped and left to die, forgotten, while her abuser escapes cheerfully singing a happy little song, our last sight of her the back of her head in a flashback, or her broken body lying on the floor.

I'm keeping my fingers crossed.