Tuesday, July 17, 2007
Adventure #316 includes a panel that hurts my brain.
So there is so little crime in the 30th century that nobody much uses the big room full of police records right behind you, super powered girls are so afraid to reveal their abilities for fear of kidnapping and being made to commit crimes, and oh yes, there's all those people who the Legion spend fighting every issue (2). This was my first intimation that the Science Police were not up to the job.
At least Phantom Girl gets her nineteen pages of fame this issue, after being so thoroughly ignored for so long that you could be forgiven for wondering if she's still a member; though being a girl this means she has to spend it swooning over a Ultra-Boy who seems to have gone bad (3). When Shrinking Violet gets her moment in the spotlight in a later issue it is also so that she can pine over a bad boy.
Phantom Girl has vanished again by next issue, wherein we basically get a rerun of #304 only with Dream Girl taking Saturn Girl's role. You'd think Saturn Girl might at least have got a feeling of deja vu. And they never do explain why all the male legionnaires are drooling all over Dream Girl at the beginning of the story.
This episode also gives the first insight into the Pokemon nature of the Legion. Lightning Lass's powers are conveniently altered but it's okay as her lightning power isn't needed because it's the same as her brother's. Considering how many stories revolve around rejected applicants it's surprising they don't get one who is mad that he can't join because there is already a member from his planet/with his ability.
The other thing that puzzles me about this issue is how is it that Shrinking Violet's clothes don't fit her when she is turned into an infant, but they do when she shrinks?
The oddest thing about Adventure #318 is that Sun Boy goes bonkers and everyone else lets him. All the complications of the plot derive from that.
Then we get an issue of Jimmy Olsen which consists of female legionnaires fawning all over Jimmy to make his date appreciate him. Do the Legion spend all their free time watching the time scanner like it was a reality show or a soap opera or something?
Next we get to a story that is so big and so stupid that it's going to need a post all of its own...
1) and has powers so pointless he makes Bouncing Boy look useful
2) okay, half of them are rejected candidates for membership out for revenge, but it's still illegal
3) it's only a trick, of course
Showcase covers follow a standard format of a recoloured version of a cover from one of the comics in the collection. They do not include text on the image. Obviously the ideal image is one that prominently features the title character(s) in iconic pose.
All the stories in this collection are either guest spots in another character's comic or backup strips from Detective Comics. The backup character rarely gets cover featured. In fact Batgirl only appears on 6 covers of Detective comics and all but one are where she is appearing in Batman stories. Not only that but there are precious few full page images of Batgirl because space is maximised in her short backup feature and the splash page often contains three panels. On some episodes there is no splash at all, just a title strip at the top of the first page.
So there aren't a whole lot of images to choose from. Let's look at the covers, shall we?
Excellent cover but the text is heavily integrated into the composition, and it would look unbalanced without it.
Here Batman is as prominently featured as Batgirl. It's far from iconic, and relies on the dialogue to make sense of what's going on.
Again, it's not Batgirl specific or iconic, and relies on dialogue to explain the situation.
Here Batgirl is far more prominent but again, take out the dialogue and it's incomprehensible. But we'll come back to this one later.
This one would almost do. Batgirl is prominently displayed and the picture would work without the speech, but still it's as much a Batman image as a Batgirl one.
And finally we get to the only cover for a solo Batgirl story and it is once again reliant on dialogue. It's also too narrow because of the menu down the left hand side, but the main problem is that it's not a very good picture.
Even though Batman is the victim here and Batgirl the rescuer, the composition leaves no doubt who is the star of this show.
Again, this is not Batgirl's comic.
Of course the problem with guest starring in someone else's comic...
...is that they tend to want to be the hero.
This is one of my all time favourite silver age covers, but it's not saying "this is a Batgirl comic".
Don't think so.
This one's not going to do it either.
In fact there aren't any covers to comics in this collection that would suit a Showcase cover. But remember this one?
It's almost the right sort of composition, but take out the dialogue and you lose the sense. But the story did have a full splash page.
Here Batgirl is featured prominently, Batman and Robin appear, but are not the focus of the image, which is reasonable, given that they do appear in the volume, and it works without the dialogue.
Only problem is that it makes Batgirl look stupid, appearing to be more interested in fixing her makeup than fighting crime.
Of course there are vast numbers of silver age covers that feature the hero behaving in a bizarre or inappropriate way. Batman wore the most ludicrous costumes and Superman was always thinking he was a cowboy or getting a big domed head. So how does it work in the context of the story?
In fact the story is all about Batgirl believing that she is too concerned with her looks and making an effort to overcome her perceived fault, ultimately using it to her advantage by distracting the bad guys by showing a little leg, as is pictured on the cover. In fact the examples given of her distraction are first where her mask is knocked out of place and she pauses to straighten it, and secondly where mud is thrown in her face. In both cases her behaviour is quite reasonable as she is in danger of having her vision obscured, so it is possible to read it as Barbara over-reacting to a perceived fault and working to overcome it. This is a bit undermined by her letting out an uncharacteristic scream at seeing Batman in danger; she's never done this before, and it's not even extreme danger, so it's very contrived. But despite this, the story is a positive in that it's all about Batgirl taking control and working to not only overcome her faults but use them to her advantage.
It is a bit cringeworthy, but if you can't accept that women were written clumsily in the 1960's then you won't be reading this volume anyway. Is it better to try to depict a female character having issues different from male characters and do it poorly, or to have no characterisation at all and the only difference between male and female characters is the girl is the one in the skirt, as you'd find in Teen Titans or JLA from a similar period?
In context, the cover depicts a scene where Batgirl is playing on the "silly woman obsessed with her looks" image to defeat the villains, and as such is okay. In a world where the default image of a female hero was the heroic stance associated with a male hero, this would work as the equivalent of Superman in a cowboy hat, or Batman turned into a baby; not iconic, but representative of the fun weirdness of the silver age. But the world is not like that, so it doesn't.
And of course, they didn't use the cover image, they used the splash image. Which does not represent any incident in the story and in fact suggests the complete opposite of the actual theme.
Yes, it is a bad image to use for the cover of the collection, and one that is liable to put off as many potential readers as if it was all T&A, but given the alternative options, what would you have picked?
Thanks to the Grand Comics Database, from whom I steal many cover scans.
Thursday, July 12, 2007
Chill. It's cool. Just wait a while. There is nothing in comics that can't be fixed. Then screwed up. Then fixed again, retconned out of existence, brought back again under the most absurd pretext and then broken again.
It's getting so there is nothing in comics that you can rely on as permanent.
Okay, sure, there will always be a Superman, Batman, Spider-Man, Wonder Woman, Fantastic Four, etc. etc. but even the most iconic heroes have been messed around with. Superman will always have been sent to Earth from a dying world, but the specifics of that world change so much that I now have no clue what Krypton looks like or what the people wear. Batman's parents will always have been shot, but what was the movie they went to see and who shot them? And if it's currently Joe Chill, what became of him, and how many different ways has he died?
Retcons have become so run of the mill that they don't even wait for big events like Crisis now. The Supergirl of the nineties didn't go down fighting like her predecessor; despite having been a part of the DC universe for sixteen years or more she was dropped from continuity between issues.
But that doesn't mean she can't come back. In fact she did come back for two issues of Superman/Batman, along with the also kicked out of continuity Cir-El and some kind of idiot analogue of the silver age Supergirl, but they are all forgotten again now. Until next time.
So opinions please: can you think of anything in mainstream comics that can relied on not to change? And bear in mind that just because something hasn't changed for a long time is no guarantee it won't in the future. Bucky got to rest in peace for sixty years before he came back.
Tuesday, July 10, 2007
JOHN NORMAN’S GOR OMNIBUS VOLUME 1
JOHN NORMAN (W)
On sale Nov. 21John Norman’s Gor Omnibus 1 collects the first three novels in the series. Prepare to take a journey to a land of passion and sorcery.
Novel, 768 pages
TPB, 5 1/8" x 7 ¼"
• The first of a series of affordable omnibus editions collecting the longest-running science fiction action/adventure series of all time.
• With twenty-six books in the Gor series, there are millions of copies in print, with a global audience that reaches across all age groups and demographics.
Not ALL age groups and demographics, I think you'll find.
And you left out the part about it being vile misogynist crap.
Oh wait, I didn't mean death exactly. You see although Lightning Lad has been worm food since issue #304, they think he may only be mostly dead, which is a little bit alive (1), but rather than hooking him up to a life support, they seem to think he'll keep fine as he is. So Superboy goes off to investigate this planet where the people periodically fall into a state of death-like coma but then recover a few hours later. It's a condition that resembles what is known on 21st century Earth as sleep, barring the odd custom of this planet, where, rather than curling up in the comfort of one's own bed to lose consciousness, people of this world prefer to lie in perspex coffins out in the street.
After several more investigations by the six members of the Legion who are taking part (2) we find that Mon El knew a solution all along, which he demonstrates by having an android sacrifice itself to revive another android. I can't decide whether this is callous or idiotic. Either the androids are sentient lifeforms, in which case making one kill itself purely for demonstration purposes is reprehensible, or they are not living creatures and the demonstration is pointless (3).
So by a contrived quirk of plot, the only way to bring Lightning Lad back is by sacrificing one of our heroes. Except not. Because it turns out any old life form would do, as Chameleon Boy's expendable pet heroically bites the dust, only to be replaced by an identical copy a few issues later.
I'm not sure my brain can cope with attempting to explain the plot of Adventure #313, but I'll try. In a tortuously convoluted plot, Supergirl travels to the 30th century for one of her rare appearances in the Legion, but as she arrives she bumps into some red kryptonite that knocks her out and splits her in to two people. The first Supergirl to wake up decides that she wants to live a life of her own and not be rejoined when the temporary effect wears off.
She devises a plan where she believes that she can siphon off the "red kryptonite effect" from her body and, rather than just dump it in empty space, for no very obvious reason she has to use it to irradiate other people, and because deep down she has a death wish and wants to be found out, instead of picking on some defenceless nobodies in the back end of the galaxy, she uses it on the people best equipped to stop her; the Legion. And just to make sure that they won't be badly impaired, she only uses it on the female members (4) except for the other Supergirl, even though she's the only person present actually vulnerable to any form of kryptonite, and the only one putting up any resistance. And just to make sure everyone knows she is the villain, she calls herself Satan Girl.
Unfortunately it takes the Legion awhile to get organised because even the robot-nurses of Quarantine World are unable to tell the difference between radiation poisoning and a virus, and by the 30th century they have yet to invent a device that can detect kryptonite radiation.
In the end Supergirl devises a plan that involves travelling back in time to get some help, but rather than grabbing Superboy, Superman, or any other male hero (5) available to them in all of time, they go collect Streaky the super cat (6), Krypto, and other assorted super pets for an entirely superfluous guest star role as they don't achieve anything more than Supergirl was already doing solo; keeping Satan Girl busy until her time (7) ran out.
Does this story make sense on any level at all? I'm thinking not.
Adventure #314 has one of the funniest moments in the whole volume. Villainous Alaktor steals a Legion time machine and does a kind of evil Bill & Ted, collecting Nero, John Dillinger, and Hitler to help him do some bad thing or other. So he picks up the most despicable people in history he can think of, and then gives them super powers. And then they tie him up and go and do whatever the hell they like.
The pure comedy moment is the hurt look on the face of the naive villain when he finds he is being betrayed and whimpers "But you promised!"
It cracks me up every time.
1) If you didn't get the Princess Bride reference, shame on you.
2) presumably the rest of the team just didn't care enough to take part
3) It would have worked better with chickens
4) though interestingly, the male legionnaires contribute little if anything; this is very much a Supergirl story
5) remember as far as they are aware, only females are susceptible to Satan Girl's radiation virus
6) presumably having forgotten about Streaky's telepathic descendant Whizzy
7) which they didn't know about
There's an old joke. A mother's at the seaside with her baby boy, who's playing in the sand by the water's edge. Suddenly a big wave crashes over the boy and sweeps him out to sea. The mother hysterically scans the ocean but he's gone, gone, gone, so she falls to her knees on the shore and sobbing, calls out to God.
"God, please God, I'll do anything, but you have to bring my boy back! Take me instead, strike me dead this instant, submit me to a thousand tortures, but please -- I'll give up all my money, everything I have in this life, I'll build a temple or a church in your name, whatever you want! But oh merciful God, I'm begging you, please give me back my child! "
There's a peal of thunder and a bolt of sunlight pierces the sea, and lo and behold, another big wave rolls to the shore and the baby boy is returned. Crying with joy, exclaiming a dozen thank-yous, the mother clutches her child to her bosom, and then holds him out for a loving look. She turns back to God. "God," she says. "He was wearing a little hat..."
Billy Mernit, who I stole the above quote from, talks about little hatting in creative writing, but it's equally applicable to comics criticism. I know I'm guilty of it, and I see it all around me. The better a comic is, the more any tiny fault stands out, and we end up focusing on that so much that any reader might get the impression that we absolutely hated something which in fact we consider a paragon, apart from this tiny thing that we feel the need to dwell on for three quarters of the review.
Saturday, July 07, 2007
Since the Legion is composed not just of representatives from Earth, but from the entire Universe, you do rather get the feeling that the 30th century is a bit lacking in cultural diversity.
I realise that due to the prejudice of the time these comics were first published there are some parts of "the land of the free" where people would refuse to sell a comic that had a black face on it, but they could have thrown in a few pastel shades that the bigots wouldn't be offended by to at least suggest that the universe of the future wasn't almost entirely populated by white people. Of the sixteen legionnaires (guess which one is not featured on the big board here) and five subs who are supposed to represent maybe twenty different worlds, there are only two who are not white, and only one who has any physically different characteristics. And he's the one who can change himself to fit in whenever he wants.
And admittedly it's hard to tell when it's purely skin colour and you're reading a black and white reprint, but going by what I've so far read of this Showcase collection it appears that all women of the future are white Caucasians.
Friday, July 06, 2007
Lighning Lad spontaneously comes back to life, except it's actually his twin sister in disguise, who has stolen his corpse and taken his place in the coffin (1), which nobody notices until Sun Boy spots she doesn't have an adam's apple, rather than that she's an entirely different shape. I'm guessing she must have used some kind of 30th century bodysuit because when we see her not pretending to be her own brother she is not only a lot less muscled, but has the largest bust size of any of the female legionnaires.
Even in what is often depicted as a utopian 30th century, women still live in fear of attracting the wrong sort of attention, and their plight is still largely ignored. Have the Legion ever fought evil men who have kidnapped super-powered girls and forced them to commit crimes? They just don't care. It seems like sometimes the only option is to dress up in your dead brother's clothes so you can carry on his work secretly(2).
What does it say about the Legion that when they catch criminals they feel perfectly entitled to walk off with any of the stolen goods that take their fancy?
And I realise how they might be annoyed by Lightning Lad's nameless sister for showing up how poor their observational skills are, but making her wear that outfit seems an extreme punishment. Apart from being the ugliest superhero costume of the silver age, it seems to yell "Look at my pants".
The silver age Legion of Monsters didn't feature Dracula, Frankenstein's Monster, or even a werewolf, but it was still "the greatest threat to the Legion in their history". What, more than the threats that actually killed Legionnaires?
Isn't the universe depicted in this map a little small? Also flat? And who is missing from the Legion roundup this issue?(3)
And it's too risky for a girl to go on this mission, even though she's the only one at that point to achieve anything useful, and is in fact leader of the whole Legion .
We'll send in Bouncing Boy instead.
1) None of the Legionnaires are at all bothered by this.
2) For individual values of "secret".
3) Yes, it's Phantom Girl.
Thursday, July 05, 2007
It's not that I particularly have anything against the X-Men, but their backstory is so huge and complicated that I can't imagine picking one up and having any clue who anybody is or what they are doing, even if it's explained. I read a lot of them when I was a much younger, but I have an idea that I wouldn't even recognise the characters I recognised. There is such a huge weight of continuity and I don't want to have to read a zillion other comics to make sense of the one in my hands, and that's before you add in all the recent "event" comics.
But I picked up X-Men: First Class #1 on a whim, and partly because it was free of all that continuity baggage. It's great. Sue Richards mentors a teenage Jean Grey, who is feeling a bit left out among her all-male team. Hilarity ensues.
I loved the story, I loved the subtle nuanced characterisation of everyone except the Mad Thinker, and I loved his unsubtle characterisation. I loved the art, which supported the characterisation so well. I loved that I could read a satisfying story in a single comic.
Come to think of it, the last Marvel comic I enjoyed was also written by Jeff Parker.
Wednesday, July 04, 2007
Anyway, I noticed today that they've done another one I am tempted by: a Wicked Witch of the West Barbie.
Except, wait a minute. I don't think this doll is finished.
I mean, doesn't she look awfully pretty to you?
Couldn't they at least have given her a hooked nose? I mean if they can make a doll look like Cher, how come the WWotW looks like a fashion model under disco lights? I realise it's supposed to be Barbie playing the WWotW, but is she such a primadonna that she'd refuse to do the makeup?
Ah well. Knowing me if I did get her I'd just dress her in spandex and call her She-Hulk Barbie.
Monday, July 02, 2007
But there's a lot of negativity in the feministicomicsblogospherahedron so I'm making an effort to temper my comments a bit, which means on the one hand I'm trying to save the rants for things that either really deserve them, or which I think I can be most entertaining about, and on the other means I am making an effort to find the positive, and to applaud the good things.
Case in point: I've seen a few criticisms of DC's somewhat frivolous covers for the upcoming Green Arrow/Black Canary wedding event. I've also seen criticisms of the criticisms (which seems to be the big growth area in fandom lately). I'd like to point out that (as far as I know) this is the first "event" from either Marvel or DC for longer than I care to remember that does not require the sacrifice of a likeable but not so popular hero to the god of crossovers.
Just for once they are going with "light romantic comedy" instead of "violent and nasty", and I think should be celebrated for this.
It becomes so bad that everyone has to constantly remind themselves of who they are and what they are doing in order to retain their own identities. A side effect of this problem being that everyone loses any nuances of personality, forgetting that they are untidy or have a favourite TV show. Popular culture dies overnight as people become more interested in their own doings than anything happening to some celebrity.
People take to carrying placards around with them that they can place in front of themselves to avoid the embarrassment of having to remind close friends of who they are.
One villain attempts to use this to trick their way into the Legion of Superheroes by convincing the legionnaires that they are already a member, but succeeds too well and entirely forgets that he is not a heroic stalwart of the team.
It is amid this chaos that a new hero arises. Emo librarian Jenerica Jones gained all the knowledge of the universe when a freak accident caused the computer terminal she was working on to download the entire galactic internet into her head.
Donning a brightly coloured costume and cape, she is quickly inducted into the Legion where she serves the invaluable (if rather dull) purpose of reminding them who they are and what they are doing. She is Exposition Girl.
Exposition Girl picture by Karen Ellis who draws stuff.
Saturday, June 30, 2007
She then attempted to burn the report, and ended up putting it through the shredder.
I'd never heard of Mika Brzezinski before today, or the show she appears on, or even the network she works for, but right now I'd vote for her as journalist of the year for having the guts to stand up and say on TV that the minor doings of people whose only claim to fame is that the media talk about them a lot are not as important as wars.
See it here.
Tuesday, June 26, 2007
The various characters are all mentioned in the song, getting a description that informs their personality and social status, except for one who is simply named. Doesn't Mary Ann have enough of a personality that they couldn't think of two words to describe her?
In Doctor Who, the original Cybermen are defeated when they are forced to inhale powered gold, which clogs their breathing filters, suffocating them.
Several writers later and we find that Superman cannot affect lead in any way, but has little problem with denser materials. He cannot even heat up this soft metal with his heat vision because... well, for no reason given. We also find that Cybermen are now so allergic to gold that a coin fired from a slingshot will kill them, even though it cannot possibly affect them in the way that originally incapacitated them.
It's all Chinese whispers. Writers see what their predecessors have written and follow the form without considering the concept. And that's without even considering the stuff they change deliberately...
Saturday, June 23, 2007
Friday, June 22, 2007
It doesn't suck.
I'm not going to do a detailed review of it because anyone with any taste is going to be writing about it. I'll just say that when I got to the last page my reactions were "aw, I was just enjoying that and it stopped" followed by "I wonder if there's going to be a sequel?"
This is a good feeling to have at the end of any book. So a good start for Minx as far as I am concerned, though my expectations had not been high, based on the initial publicity. And the name.
At the back there are several page samples of the next three volumes. They didn't make me want to run to the comic store right now to see if they are published yet, but I will be checking them out.
And it's nice to know I'll have something to read this summer that was written in my lifetime.
They cross centuries again to invite Supergirl and then refuse to take her because while following their directions she accidentally gets a dose of red kryptonite that makes her look too old, even though A) she hasn't actually aged, she just looks slightly different (visually she just appears slightly taller and to be wearing lipstick), and b) it's a temporary effect that will wear off in a couple of hours.
So it's hardly surprising that when you see what appears to be a continuity error, such as them telling Supergirl that they are the children of the legionnaires that met Superboy, it's easy to read it as them just having a laugh at Supergirl's expense.
Wednesday, June 20, 2007
But first, a correction. In my previous article I said Shrinking Violet and Triplicate Girl weren't introduced until Adventure #300. In fact they, and Bouncing Boy first appear in a Supergirl story in Action #276 that, more than any other appearance, has all the hallmarks of a stealth pilot, as it features the most complete version of the Legion prior to their own series.
In this story we are told that the Legion has revised its policy of only allowing one new member per year to allowing one boy and one girl per year (1). Applicants shown include Brainiac 5, Sun Boy, Bouncing Boy, and Shrinking Violet. Since all of them are members by Adventure #300, the Legion series must take place at least two years later, assuming that these guys were taken on their second or third attempts, over other applicants that hadn't already been rejected (2)(3).
Other highlights of this story include Saturn Girl fooling Supergirl into not recognising her by wearing a mask, even though she is in full costume and has demonstrated her powers; the whole "super-girlfriends" routine which is ripe for innuendo by someone with a smuttier mind than I, and Supergirl's demonstration of power for her membership application, which involves destroying hugely important archeological sites by burrowing down to cherrypick a couple of choice items that made the archeoligist in me wince, and my experience is limited to watching the odd episode of Time Team; and how convenient is it that a kryptonite meteor just happens to fall out of the sky right on top of Supergirl just in time for Brainiac 5 to demonstrate his cleverness and self-sacrifice by slapping his force field belt on her and tuning it to fit her personally in less time than it takes for her to get out of the way of it. Anyone would think he had arranged it on purpose...
I feel a bit sad for poor Shrinking Violet here. I mean here she is, she's got as far through the Legion application process as having a placard with her own name on it, and then at the last minute she has to go up against someone who is related to the most famous hero in history that inspired the Legion in the first place, and who they have traveled back in time to personally invite. It must be particularly galling when Supergirl bogs off as soon as she's inducted and hardly ever turns up for meetings(4). She doesn't even get to be one of Supergirl's super-girlfriends.
1) which makes you wonder how they end up with a 3:1 male/female ratio.
2) In Adventure #301 we find that Bouncing Boy was rejected once.
3) However, since there are no new female legionnaires between this and Adventure #300 I can only guess that Sun Boy reapplied in drag.
4) Talk about nepotism...
Monday, June 18, 2007
Anyhow, the rules:
I have to post these rules before I give you the facts.
Each player starts with eight random facts/habits about themselves.
People who are tagged need to write their own blog about their eight things and post these rules.
At the end of your blog, you need to choose eight people to get tagged and list their names.
Don’t forget to leave them a comment telling them they’re tagged, and to read your blog.
1) I collect cool (anime/goth/scifi/superhero) dolls, but not in any obsessive way, unless you'd consider having twelve goth dolls on your mantelpiece obsessive.
2) Terry Pratchet once gave me a lift in his car. He's a lot less funny in person.
3) My favourite flavour of soda is banana, but I haven't seen one in years. Actually my favourite flavour of most things is banana.
4) I still haven't finished reading Seduction of the Innocent. I'm beginning to think life is too short.
5) I have never seen Gilligan's Island. And not because I don't want to. I've never watched an entire episode of Neighbours either, but that's taken skillful manoevering because it was so ubiquitous on UK TV and I've known lots of people who liked it. I'm vaguely curious about Gilligan because it seems to be part of the American experience and often turns up as a pop culture reference, but it's never been shown on British TV (that I'm aware of). Now I think about it, I could probably find at least a clip of it on YouTube.
6) I bought my first videotape before I had a VCR, my first CD before I had a CD player, and my first DVD before I had a DVD player. I mean I knew I would be getting the player eventually, and it was a bargain/something I'd always wanted.
7) My most hardcore videogame experience was playing Sakura Wars in Japanese (it's an RPG heavy on text that has never been translated).
The oldest comic I own is Wonder Woman #17. That's WW volume one, dated 1946.
Sunday, June 17, 2007
When the Legion first appeared, the name was really a bit of a stretch. Only Cosmic Boy, Saturn Girl and Lightning Lad were in any way identified or got speaking parts, with a few backs of heads to suggest the Legion had more than three members. In most subsequent appearances a couple of new members would be introduced, although they never got to do much, until the Legion finally got their own series in Adventure #300.
This comic introduces two new female members, even if they don't appear in the story: Triplicate Girl is on the cover and a statue of Shrinking Violet is shown among other Legionnaire statues on the first page(1).
Shrinking Violet's first actual appearance is Adventure #301 where she appears in two panels, filling out group shots. She continues to stand at the back and say nothing for some time, except #305, where she gets to speak briefly. I can only guess this was because Star Boy was out sick and Lightning Lad was dead that day so she had to fill in, as she doesn't get to speak again until #310, where, for the first time in ten issues, she gets to use her powers. And then dies.
This being the Silver Age, she, and everyone else who dies is fit and healthy again by the end of the story. Over the next 20 issues Violet gets to use her powers twice more, to little effect, and it's not until #324 that she gets any individual attention, falling for Duplicate Boy, who conveniently leaves at the end of the story.
Phantom Girl gets it even worse. She is the first female legionaire introduced (2), appearing briefly in #290 for one panel (3). In #301 we find she is off on a distant planet on a vital door opening mission, which keeps her absent until #313. In fact she's not even listed as a legionaire, absent or otherwise, for twelve issues. She then vanishes again until #316, where she finally gets to speak, and even takes an active role in the story. She's next seen in #319 filling out the crowd scenes, and succumbs to a weapon that only affects her because she's not the star of the story.
Thereafter she appears semi-regularly, filling out the cast and occasionally getting to participate in the plot, but a lot of the time the writer hardly seems to notice she's there, which means that the contrived ending to Adventure #325 could have been avoided if he'd only remembered the power she'd demonstrated two issues earlier.
And then there's the names: Phantom Girl - A girl with a power to make herself so inconsequential that she's entirely forgotten for years at a time, and Shrinking Violet - the shy one with the power to make herself so small that nobody even notices she's present. I bet if Camouflage Girl (the girl with the ability to blend entirely into the background) had applied for membership they would have snapped her up because she would have fitted right in.
1) Why the team have statues of themselves is not explained.
2) other than Saturn Girl.
3) two if you count the splash page, which is the same image
Saturday, June 16, 2007
So, a tasteless theme in a tasteless comic which I wasn't going to read, anyhow. Little relevance to me other than to give me another reason not to give Marvel any money. And then I hear about something that plain depresses me, even though I wouldn't touch the comic anyway. A new cover is a riff on the cover to the first issue of the all-ages Mary Jane comic, except this version depicts an adult version of the character with large breasts and her guts hanging out.
It's the trashing of an innocent image intended for children that gets me. There's no political message, no deeper meaning. It's just taking a sweet image and shitting on it for the laugh. I could relate this to the broader subject of the way Marvel and DC can't seem to allow any character to remain innocent for long, to the point where even Mary Marvel has to be dark and angst-ridden (with a hemline that barely covers her ass, of course. See previous entry), but it's all too depressing.
Friday, June 08, 2007
2) Show more skin. When heroines turn evil they invariably get shorter skirts and plunging necklines.
3) Accessorize with leather and chains for that badass look.
4) Ragged edges show how you have symbolically trashed your "goodie" costume, also that you are just so bad that you can't be bothered to hem.
5) Evil hair is usually bigger than good hair. Get in lots of gel for that snakey look.
6) Colours: Black, obviously, but doing a version of your regular costume in darker shades also works.
Thursday, June 07, 2007
This does not mean that it is unregarded. It's not too hard to find as a collectable if you have a couple of hundred dollars to spare. But Rosana Hart, Paul Lineberger's daughter recognises that there are plenty of people who don't want to collect it, they just want to read it, and so she has made it available as a PDF. Which is how I got to see it.
It is 1949. Scraps of intelligence taken together hint at a secret underground russian city where research is being done into atomic weapons. It is known as Atomsk. Major Michael Dugan is given the task of infiltrating Atomsk, finding out what is going on there, and then leaving enough of a mark behind him so that the russians know they have been infiltrated and Atomsk is no longer an ace up their sleeve.
We follow Dugan as he slips through Russia, assuming and dropping identities as required. Unlike so many fictional spies, Dugan has to work his way to the secret city one step at a time, using skill and cunning. What would be an afternoon jaunt for Sydney Bristow is a journey that takes weeks for Dugan.
The weakest point to me was when we finally reach Atomsk and don't get to see much of it. It's not necessary to the plot, but after the big buildup I would have liked a little more sightseeing of the big mysterious place we've heard so much about.
The book is clearly an earlier work than Lineberger's science fiction. The lyrical writing is there, but it is not as developed as his work as Cordwainer Smith. The really striking thing about Atomsk is how optimistic it is. Dugan is such a good spy because he empathises with the people he encounters. He believes that the work he is doing is not just for the good of his own country, but for its enemies too. During World War 2 he works undercover in Japan as an incompetent officer gently fouling up every major project that comes through his department, saving lives not just of Americans, but Japanese too.
The book has also aged remarkably well. I mean obviously it is now a period piece, where it was "present day" when it was published, but there is nothing out of place or jarring to the modern reader, which suggests how far ahead of his time Linebarger was in his attitudes.
Atomsk is not the great american novel, but it's a fun spy story that proves that realism and optimism can exist together. There are a lot of writers today who could learn from this.
Tuesday, June 05, 2007
The problem is that James Bond doesn't actually do much spying. No spending months infiltrating an enemy country under a false identity; he's always quick in there, steal the plans, sabotage the death ray, kill the bad guy, get the girl, and out before a real spy had reached the outer perimeter in the guise of a nondescript worker. And he's always so flashy and high profile where a real spy is the exact opposite.
And then there's the whole "license to kill" business. He's a spy. It's a very dangerous business. Any spy undercover in hostile territory surely has the authority to protect themself by whatever means necessary, up to and including killing people, so why does 007 get a special certificate for it?
And then it struck me, that's not an extra qualification, that's his job description. It makes sense that they'd want the enemy to know he was responsible, that he'd be sent in for quick jobs, that so many people die when he's around. Of course it would be terribly unbritish to admit what he was really up to, so it's always couched in euphamism and the pretense that he is a regular member of the department, but it's obvious when you think about it. James Bond isn't so much a spy as an assassin.